PROD

Production is where the story begins. Multicam live events, broadcast reportage, corporate shoots, documentary direction — on location or in studio, for national networks or global brands. TF1, Canal+, Sanofi, LVMH: different worlds, same demand for precision. The kind of work where preparation is everything, and execution leaves no room for second takes. Same standards, whatever the stakes.

Studio

LES RENCONTRES DE L’UDECAM

CLIENT: LVMH — LES ECHOS

JOB: PRODUCTION & DIRECTING

MEDIA: CONFERENCE PRESENTATION

PROGRAM AUDIENCE: ADVERTISERS

Preparation is the work

Every successful shoot starts weeks before the cameras roll. Briefings, framing sessions, pre-production meetings with talent and stakeholders — and the kind of editorial groundwork that eliminates surprises on the day. The more complex the production, the more rigorous the upstream process.

L’ORCHESTRE DES LYCÉES FRANÇAIS DU MONDE

CLIENT: AEFE x RADIO FRANCE

JOB: PRODUCTION & DIRECTING

MEDIA: CONFERENCE PRESENTATION

PROGRAM AUDIENCE: OFFICIALS

Editorial Integrity, end-to-end

From the first frame to the final take, the editorial vision agreed in pre-production is the non-negotiable reference. Whatever the format — corporate event, institutional shoot, broadcast production — the footage delivers on the promise. No drift, no compromise.

MISS FRANCE CROWNING NIGHT

CLIENT: TF1

JOB: DIRECTING, SHOOTING & TRAILER CONCEPT & EDITING

MEDIA: BROADCAST

PROGRAM AUDIENCE : 7 MILLION

On set, every second counts

Directing the technical crew with precision, managing multicam choreography, lighting coordination, live switching — all of it running in parallel, all of it under real-time pressure. Talent direction, floor management, and client communication happen simultaneously. The crew sees clarity. The client sees confidence.

Reportage

14th JULY - BASTILLE DAY

CLIENT:TF1

JOB: ON SET DIRECTING & EDITING

MEDIA:BROADCAST

PROGRAM AUDIENCE: 4,9 MILLION

The Right frame, at the right moment

Reportage is a discipline of instinct and preparation in equal measure. Knowing where to position the camera, what to include and what to leave out, how to read a situation before it unfolds — these are the reflexes built over 20 years in the field. For SNCF, France Volontaires, TF1 and others, the job is always the same: be there, be ready, and bring back the frame that tells the truth.

A meeting of professionals

The best reportage happens when everyone in the room shares the same standards. Working with seasoned journalists, communications directors, and field experts means the conversation starts at a high level — and stays there. No over-explaining, no hand-holding. Just a shared commitment to getting it right, on location and on deadline.

An honest image that serves the subject

The final measure of a reportage is simple: does it respect the subject, and does it satisfy the client? Not as competing demands, but as the same demand. A frame that flatters at the expense of truth serves no one. The goal is always an image that holds up — editorially, ethically, and aesthetically.

MASTER OF PORT

CLIENT:FÉDÉRATION FRANÇAISE DES VINS D’APÉRITIF

JOB: REPORTAGE & MEDIA EVENT COVERAGE

MEDIA:SOCIAL

PROGRAM AUDIENCE: ASOCCIATION’S PROSPECTS & CLIENTS

REPORTAGE ABOARD IRIS 320

CLIENT: SNCF

JOB: REPORTAGE

MEDIA:INTRANET

PROGRAM AUDIENCE: COMPANY’S EMPLOYEES

JOURNÉES DU VOLONTARIAT FRANÇAIS

CLIENT:FRANCE VOLONTAIRES

JOB: REPORTAGE & MEDIA EVENT COVERAGE

MEDIA:SOCIAL

PROGRAM AUDIENCE: ASOCCIATION’S PROSPECTS & OFFICIALS

Corporate &    

COMMUNICATION

advertising

ONLINE

Your Image Is a Strategic Asset

For institutional clients and online advertisers, every visual decision carries weight. A poorly framed shot, an inconsistent tone, a message that misses its audience — these are not aesthetic failures, they are commercial ones. The work begins with understanding what the client needs to say, to whom, and why it matters. From there, everything — framing, pacing, language, format — is built to serve that purpose.

BOUGARDIER MORTGAGE BROKER

CLIENT:CABINET BOUGARDIER X JBD PRODUCTIONS

JOB: DIRECTING & EDITING

MEDIA:SOCIAL

PROGRAM AUDIENCE: COMPANY’S WEBSITE

Craft Meets Communication

Translating a brand's identity into compelling visual content requires more than technical skill. It demands editorial judgement, aesthetic rigour, and the ability to distil complex messages into sequences that land in seconds. Whether it's a product launch, an institutional campaign, or a social media presence built from scratch, the goal is the same: a polished, coherent image that reflects the client's ambitions and speaks directly to their audience.

ALEXIS LEPERS X ROMAIN LE CORDOCH

CLIENT: IRIS PRODUCTION

JOB: SHOOTING, INTERVIEWING, EDITING

MEDIA:SOCIAL

PROGRAM AUDIENCE: BRAND’S WEBSITE



A Long-Term Partnership Built on Trust

Becoming the custodian of a client's visual identity is a responsibility taken seriously. It means being consistent, being responsive, and being honest — about what works, what doesn't, and what their audience actually wants to see. The best client relationships are the ones where the brief gets shorter over time, because the understanding runs deeper. That's when the work gets really good.

INTERWIEW WITH LEïLA SLIMANI

CLIENT: AEFE

JOB: DIRECTING, SHOOTING, EDITING

MEDIA: AEFE’S WEBSITE