PROD
Production is where the story begins. Multicam live events, broadcast reportage, corporate shoots, documentary direction — on location or in studio, for national networks or global brands. TF1, Canal+, Sanofi, LVMH: different worlds, same demand for precision. The kind of work where preparation is everything, and execution leaves no room for second takes. Same standards, whatever the stakes.
LES RENCONTRES DE L’UDECAM
CLIENT: LVMH — LES ECHOS
JOB: PRODUCTION & DIRECTING
MEDIA: CONFERENCE PRESENTATION
PROGRAM AUDIENCE: ADVERTISERS
Preparation is the work
Every successful shoot starts weeks before the cameras roll. Briefings, framing sessions, pre-production meetings with talent and stakeholders — and the kind of editorial groundwork that eliminates surprises on the day. The more complex the production, the more rigorous the upstream process.
Editorial Integrity, end-to-end
From the first frame to the final take, the editorial vision agreed in pre-production is the non-negotiable reference. Whatever the format — corporate event, institutional shoot, broadcast production — the footage delivers on the promise. No drift, no compromise.
MISS FRANCE CROWNING NIGHT
CLIENT: TF1
JOB: DIRECTING, SHOOTING & TRAILER CONCEPT & EDITING
MEDIA: BROADCAST
PROGRAM AUDIENCE : 7 MILLION
On set, every second counts
Directing the technical crew with precision, managing multicam choreography, lighting coordination, live switching — all of it running in parallel, all of it under real-time pressure. Talent direction, floor management, and client communication happen simultaneously. The crew sees clarity. The client sees confidence.
14th JULY - BASTILLE DAY
CLIENT:TF1
JOB: ON SET DIRECTING & EDITING
MEDIA:BROADCAST
PROGRAM AUDIENCE: 4,9 MILLION
The Right frame, at the right moment
Reportage is a discipline of instinct and preparation in equal measure. Knowing where to position the camera, what to include and what to leave out, how to read a situation before it unfolds — these are the reflexes built over 20 years in the field. For SNCF, France Volontaires, TF1 and others, the job is always the same: be there, be ready, and bring back the frame that tells the truth.
A meeting of professionals
The best reportage happens when everyone in the room shares the same standards. Working with seasoned journalists, communications directors, and field experts means the conversation starts at a high level — and stays there. No over-explaining, no hand-holding. Just a shared commitment to getting it right, on location and on deadline.
An honest image that serves the subject
The final measure of a reportage is simple: does it respect the subject, and does it satisfy the client? Not as competing demands, but as the same demand. A frame that flatters at the expense of truth serves no one. The goal is always an image that holds up — editorially, ethically, and aesthetically.
MASTER OF PORT
CLIENT:FÉDÉRATION FRANÇAISE DES VINS D’APÉRITIF
JOB: REPORTAGE & MEDIA EVENT COVERAGE
MEDIA:SOCIAL
PROGRAM AUDIENCE: ASOCCIATION’S PROSPECTS & CLIENTS
REPORTAGE ABOARD IRIS 320
CLIENT: SNCF
JOB: REPORTAGE
MEDIA:INTRANET
PROGRAM AUDIENCE: COMPANY’S EMPLOYEES
Your Image Is a Strategic Asset
For institutional clients and online advertisers, every visual decision carries weight. A poorly framed shot, an inconsistent tone, a message that misses its audience — these are not aesthetic failures, they are commercial ones. The work begins with understanding what the client needs to say, to whom, and why it matters. From there, everything — framing, pacing, language, format — is built to serve that purpose.
BOUGARDIER MORTGAGE BROKER
CLIENT:CABINET BOUGARDIER X JBD PRODUCTIONS
JOB: DIRECTING & EDITING
MEDIA:SOCIAL
PROGRAM AUDIENCE: COMPANY’S WEBSITE
Craft Meets Communication
Translating a brand's identity into compelling visual content requires more than technical skill. It demands editorial judgement, aesthetic rigour, and the ability to distil complex messages into sequences that land in seconds. Whether it's a product launch, an institutional campaign, or a social media presence built from scratch, the goal is the same: a polished, coherent image that reflects the client's ambitions and speaks directly to their audience.
ALEXIS LEPERS X ROMAIN LE CORDOCH
CLIENT: IRIS PRODUCTION
JOB: SHOOTING, INTERVIEWING, EDITING
MEDIA:SOCIAL
PROGRAM AUDIENCE: BRAND’S WEBSITE
A Long-Term Partnership Built on Trust
Becoming the custodian of a client's visual identity is a responsibility taken seriously. It means being consistent, being responsive, and being honest — about what works, what doesn't, and what their audience actually wants to see. The best client relationships are the ones where the brief gets shorter over time, because the understanding runs deeper. That's when the work gets really good.
INTERWIEW WITH LEïLA SLIMANI
CLIENT: AEFE
JOB: DIRECTING, SHOOTING, EDITING
MEDIA: AEFE’S WEBSITE